Jean Cassou

Jean Cassou

Institutional Figures

Active in Paris: 1946–1968

Jean Cassou (1897–1986) was a French writer, poet, essayist, art critic, and museum curator. In 1945 he became the first director of the Musée National d’Art Moderne in Paris, a position he held until 1965. Through his curatorial work and writings on abstraction, livre d’artiste, and Maeght publishing, he played an important role in shaping the intellectual and institutional context of modern art in postwar France and moved within the broader orbit of non-figurative art circles, including those connected with the Salon des Réalités Nouvelles.

During his tenure he strengthened the museum’s ties with leading modern artists and expanded its modern collections. In 1951 Cassou presided over Les Peintres Témoins de leur Temps, thematically structuring exhibitions responding to contemporary life. In 1953, Cassou organized the exhibition 12 Peintres et Sculpteurs Américains Contemporains at the Musée National d’Art Moderne, one of the earliest institutional presentations of American modern and contemporary art in postwar France. The exhibition signaled a shift in curatorial emphasis by introducing French audiences to artists whose work challenged the aesthetic dominance long associated with the School of Paris.



Exhibitions & Events

Galerie Maeght

  • Les mains éblouies

    Years: 1950

    Group exhibition that included works by Palazuelo and Youngerman, Jean Cassou wrote an essay for the associated Derrière le mirror
  • Joan Miró

    Years: 1948

    DLM No. 14–15. Joan Miró. Texts by Tristan Tzara, Jean Cassou, Joan Prats-Vallès, Raymond Queneau, Georges Duthuit, Christian Zervos, Georges Limbour, Joaquim Gomis, Paul Éluard, Daniel-Henry Kahnweiler, Lise Deharme, Maurice Raynal, Robert Desnos, Michel Leiris, Georges Hugnet, Ernest Hemingway, René Gaffé, Pierre Loeb, Josef Llorens-Artigas, and Jacques Kober. November–December 1948.
  • L’art abstrait.

    Years: 1949

    DLM No. 20–21. L’art abstrait. Fernand Léger and Jean Arp; texts by Andry-Farcy, Henri Laugier, Jean Cassou, and Michel Seuphor. May 1949.

Musée National d’Art Moderne

  • 12 Peintres et Sculpteurs Américains Contemporains, 1953

    Years: 1953

    The exhibition was one of the earliest institutional presentations of American modern and contemporary art in postwar France. The exhibition signaled a shift in curatorial emphasis by introducing French audiences to artists whose work challenged the aesthetic dominance long associated with the School of Paris.
    Exhibited artist: Jackson Pollock, Ivan Le Lorraine Albright, Arshile Gorky, Stuart Davis, Morris Graves, Edward Hopper, John Kane, John Marin, Ben Shahn, Alexander Calder , Theodore Roszak, David Smith